Ramones
End of the Century (1980)
C.M. Crockford
If we're gonna talk about End of the
Century, the Ramones' final
desperate crawl for success armed (literally sometimes) with Phil
Spector, we should talk first about “Baby I Love You.†It's a
Ronettes cover that both makes sense for a band that worshipped girl
groups and classic pop, but the syrupy strings and orchestral sound
matched with Joey's sneering, geeky voice is still a deeply surreal
moment for the Ramones and for punk rock. How must it have felt to
hear this on the radio with no clue what the fuck was going on? End
of the Century is fascinating
because you can see why the Ramones thought hooking up to Spector
would finally give them hits, but the meeting of a professional,
pristine Wall of Sound and the leather jacket, buzzsaw sound of the
four is so deranged that it's a bizarre, gleeful concoction instead
of a surefire success.
At
best what this does is result in some classic Ramones rockers being
augmented, like Marky's steel drums and the triumphant sax on “Do
You Remember Rock And Roll Radio†- it's one of their most
commanding openers as a result, even if as a statement of intent it's
too much of a call to nostalgia (gee I wonder why this flopped as a
single). Closer “High Risk Insurance†has some glorious ringing,
triumphant guitar as a result of Spector's augmentations. “Danny
Says†and “Rock And Roll High School†are probably the best
songs on the album because they're the perfect melding of Spector and
the Ramones' sensibilities – the layering of instruments and vocals
work perfectly for “Danny†as the buzzsaw guitar builds up,
creating an absolute classic Ramones ballad with a gorgeous melody.
But
where End of the Century
does fail is first the songwriting, with some pretty boring filler
like “I Can't Make It On Time†and also that Spector's
perfectionist (the word “lunatic†also comes to mind) tendencies
just don't seem to gel on a lot of the tracks with a band who were
ugly, cheap, and could play twelve songs in twenty minutes live.
Tommy's production savvy was probably really missed here. I don't
think it's nearly as bad as the band claimed, with some major stand
outs in the singles, but it's a weird mix of ideas and tastes that is
more curious and intriguing than brilliant. Still, it's essential for
any Ramones fan and for any rock geek into insane team ups (“Hey,
what if Phil Spector and the Ramones did an album together?!â€) The
version of “Baby I Love You†here says it all – kind of
disastrous, very listenable.