Pearl Jam / Ted Leo and the Pharmacists

I won't lobby too much for the "punk relevancy" of Pearl Jam. Their songs really have little to no musical connection, though they're known to cover the Clash live and possibly a few other classic punk acts -- they also had C.J. Ramone guest for some guitar work for a cover of the Ramones' "I Believe in Miracles" at this particular show. All right, so maybe there's a little bit of relevancy there. But rather, their acute social and political awareness and activism is enough to warrant a bit of coverage; they've shunned MTV, spoken out numerous times against the Bush administration, condemned BP Amoco for their effluent dumping in Lake Michigan, hold voter registration stations at their tours and members participate in various pro-choice organizations, yadda yadda yadda. That's probably more than you can say for most (or all) of the awful bands they've influenced. Okay, so I lobbied a little more than promised.

Anyway, the band came on about 45 minutes later to a packed house. All the indicators of a veteran rock act who writes good songs and stays active were there; they sounded great, had fans raising their arms and singing along to practically every word, and did three encores. Seriously. Three encores. That added up to a two hour and 41 minute set. Christ. Come to think of it, their "encores" totaled longer than the initial set.

Pearl Jam tended to bunch together a few songs in a row and then take a short break, which enabled them to play quite a few songs in that timespan. The breaks were usually spent by a grateful frontman in Eddie Vedder, who would warm up to the already heated crowd a bit, speak about his beliefs or causes or talk about past experiences on tour. Vedder said at one point, "We don't even have a new album to support. We just wanted to come play some songs for you guys" ("And make a shitload of money," scoffed my buddy).

They seemed to alternate among their more balladic and energetic material, and that worked really well; when "Corduroy" was laid down, it was an early firecracker that seemed to really pick up the crowd.

The band's monstrous singles ruled too, obviously. "Even Flow" had probably about a five-minute solo from guitarist Mike McCready, as he did at the band's 2003 show at the Garden which was made into a DVD. Vedder actually traded beers with an audience member near the stage during said bridge, which was partially amusing. In fact, his crowd interaction with those few front rows was generally funny, even if he was gently pouring beer into someone's mouth. It seemed less of a brosky moment and more a way of just trying to interact with a portion of a crowd of, oh, 20,000 or so.

Paying tribute to some predecessors, several covers were busted out as the band has been known to do. Though they couldn't nearly match Townshend's anguish in the original, "Love, Reign O'er Me" might've been the highlight, sounding big, anthemic and damaged, the legendary chorus howled back by the entire audience.

Though I really would've loved to hear "Jeremy" and "Better Man" (I guess the band doesn't play the former too much these days for whatever reason -- they've only played it once on this tour so far), I can't really complain about a set list that nearly hit three hours, played proficiently by a bunch of dudes who have seemingly shed rock star excess and pomp -- I might've been up a few sections, but it seemed like Vedder was rocking an open flannel (over a peace sign Tee) just like he would have at grunge's peak 15+ years ago.

Set list (8:43-10:01):