Editors' Picks

Bad Brains

Aubin: One of the definitive early hardcore bands was Washington, D.C.'s Bad Brains. The band began in the early eighties and alternated between the fastest hardcore and the most laid back reggae. Though they eventually dabbled with metal and funk, the band's early recordings represented some of the most primal and crucial hardcore recordings of the era. While the unpredictable nature and rampant homophobia of vocalist HR diminished the band for some, the band deserves to remembered for what it was: a singular influence, and proof of the remarkably inclusive nature of punk and hardcore.
Bad Brains - "Pay to Cum" (from epitonic)
Bad Brains - "Pay to Cum" (alternate Realplayer)
Bad Brains - "Don't Bother Me" (Realplayer)
Bad Brains - "Big Takeover" (Realplayer)

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Editors' Picks

Latterman

Aubin: Though they're on the label most frequently associated with "emo," Latterman is decidedly different than any of their labelmates. Shout-along vocals, solid melodies and most importantly, straightforward and sincere, positive punk rock permeate every track on No Matter Where We Go…!. You could compare them to Hot Water Music, Bouncing Souls and Avail and you'd be on the right page, but give the track a listen and see how they stand on their own.

Latterman - "Fear and Loathing in Long Island"
(You can find some more song snippets on the pre-order page. The album is due out August 9th.)

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Editors' Picks

Dead Hearts

Brian: It's time for Round 2 of "one of us saw a good hardcore band open for another so we figured an MP3 of the Week feature was in order." WIth a sound lying somewhere between Bane and Every Time I Die (not neccessarily the latter on this song in particular, though select others from the band definitely have that gritty rock'n'roll edge), Buffalo, NY's Dead Hearts served as a great precursor to the Modern Life Is War set at their show Thursday in the 'burgh. The band will begin work on their debut full-length for Ferret Records soon, but in the meantime, here's a track from their forthcoming EP, No Love, No Hope, due out August 9th via Reflections:

Dead Hearts - These Are Our Lives
(If this link doesn't work, try going to their Myspace page.)

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Editors' Picks

Nada Surf / Dillinger Four / Straitjacket / A Wilhelm Scream

Brian: Because this will now be Nada Surf's second album for Barsuk since being dropped by Elektra some time after 1998's The Proximity Effect, you shouldn't have to ask or crack stale jokes, but since the following comments section is bound to contain some of both: Yes, this band is responsible for "Popular," and yes, up to that point you could say they were a one-hit wonder. While I'm probably coming off as some over-defensive fanboy of the band, their forthcoming Chris Walla (Death Cab For Cutie, the Thermals)-produced effort The Weight Is A Gift is the first full release I've heard from them, and it's actually rather smooth, mellow indie pop that's pretty enjoyable and should hopefully garner some attention for reasons other than the gimmicky label they've been handed (hopefully not permanently) by anyone with a passing knowledge of mid-90's alterna-rock. Here's the second song on the record, out September 13th:

Nada Surf - Do It Again Aubin: Tonight, as I struggled to find the motivation to study for yet another midterm and watch another saturday night disappear into the ether, my copy of Versus God was about the only thing that made it tolerable. So while Dillinger Four hasn't released a full length since 2002's Situationist Comedy, here are some tracks to tide us over until the next one.

Dillinger Four - "Noble Stabbings!!!" Dillinger Four - "Q: How Many Punks Does it Take to Change a Lightbulb?" Dillinger Four - "Doublewhiskeycokenoice" Adam: Modern Thieves, the newly released full length from Portland's Straitjacket, has spent quite a bit of time in my rotation these past few months. The band treads a lot of the same Buzzcocks / Undertones / Stiff Little Fingers-inspired territory as the Briefs, so if you're at all a fan that energetic Pacific Northwest sound there's a lot to love here. The record arrived with little fanfare this May from TKO (CD) and Jonny Cat (LP). Here's a few tunes:

Straitjacket - Tunnel Vision Straitjacket - Forty-Eight Scott: I don't know about you, but I spent this past Thursday getting sunburned and ogling underage girls -- yes, it was Warped Tour time again in Cleveland. While I had to work for much of the day, I did make time in my schedule to watch a band who are quickly climbing up my personal charts at an alarming rate: A Wilhelm Scream. They brought it so hard that my skin actually peeled. Or maybe that was just the sun blazing down on me. Anyway, they were the best band of the day that I saw, so here's two of the many spicy jams off their upcoming record, Ruiner, out August 16 on Nitro:

A Wilhelm Scream - Killing It A Wilhelm Scream - Me Vs. Morrissey In The Pretentiousness Contest (The Ladder Match)

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Editors' Picks

Modern Life Is War

I saw Modern Life Is War for the first time last night, and couldn't believe the energy the band had. The room was, on average, 120 degrees, and the power went out twice before the band could even get through their first song; but once things eventually got under way, these Iowans blew away every single person in attendance. It's great to see that hardcore is getting exciting again. These tracks are off the band's new album, Witness, out now on Deathwish:

Modern Life Is War - D.E.A.D.R.A.M.O.N.E.S. Modern Life Is War - John And Jimmy Modern Life Is War - Marshalltown

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Editors' Picks

Names For Graves

I attended the Bane/Evergreen Terrace/Cursed/Verse tour the other night, and while Cursed and Bane were great as expected, it was local hardcore band Names For Graves that stole the whole show. Blazing through their set in 10 minutes flat, Names For Graves were everything a good hardcore band should be: short, fast, loud and pissed off. The Minor Threat cover didn't hurt anything, either. Here's three songs off their new CD, Worst Kid Ever, out now on Triple Attack Records:
Names For Graves - The Movement Names For Graves - Phil Spector Names For Graves - This City Needs Saints
(If for some reason those download links don't work for you, just head to the band's MySpace page, where they're all taken from.)

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Editors' Picks

Shook Ones

Brian: So there's this sticker on the front of the debut full-length from Bellingham, WA's Shook Ones. This little label on the jewel case of Sixteen reads "fans of KID DYNAMITE, JAWBREAKER, LIFETIME, and GORILLA BISCUITS…take note!" "Holy [expletive]!" you're probably saying. "Those are classics! This can't be anywhere near as good as them! And if so…no no no, I'm sure I've heard this before elsewhere. Either Pastepunk is distributing this or already covered it last week." To that I answer "yeah, probably." But because the melodic hardcore outfit's shit is so undeniably tight, here's some MP3s regardless; a full review shall come when I'm not feeling so lazy as to sedatively nod in agreement with press releases and need to make up excuses as to why I'm saving comparisons for later. Both are taken from Sixteen, out now on Endwell Records.

Shook Ones - Please Read Shook Ones - Bellingham Lads Club

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Editors' Picks

Vendetta Red

Most of you remember Vendetta Red as yet another of the all-hype, little-substance bands to get signed in the post-At The Drive-In world of major-label land. The band's Epic debut, Between The Never And The Now, was an epic flop, and cost the label more money than any of us will probably ever see in our lives (barring someone buying my complete Boris The Sprinkler 7-inch collection from me). The band should've fallen into obscurity; instead, they came back and wrote a concept album about a nuclear holocaust and the woman who rises to power from it. What the fuck; I know. But goddamn if these songs aren't some of the best rock songs I've heard in quite some time. Here's three tracks off Vendetta Red's new album, Sisters Of The Red Death, hosted courtesy of VR fan site MysticMosaic.net:
Vendetta Red - The Body And The Blood Vendetta Red - Shiver Vendetta Red - Silhouette Serenade Sisters Of The Red Death currently has no set release date, although it is tentatively slated to come out via Epic sometime this August. It would be worth your while to pick up a copy, whenever you're actually able to.

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Editors' Picks

The Hold Steady

Adam: It seems that there's been a lot of chatter about the Hold Steady of late, particularly for their latest Frenchkiss full length Separation Sunday. The second record from former Lifter Puller vocalist Craig Finn and company should appeal to anyone who found the Replacements' slurred attack so charming. AllMusic describes them a Guided By Voices that worships Springsteen instead of the Who, so take that for what it's worth. Of course, it's probably better for you to figure it out for yourself:

The Hold Steady - Your Little Hoodrat Friend

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Editors' Picks

Privilege

Brian: The recently formed, Long Island-based Privilege may not carry the experience or notoriety of the multitude of hardcore bands influencing them (Carry On, Comeback Kid, most of the Bridge 9 roster/alum), but judging from the band's newly posted demo, there's a seemingly similar conviction to the style, as well as musicianship matching that of acts five and ten years their seniors. This unmastered track is taken from their recently finished, re-recorded debut demo EP.

Privilege - Forks And Knives
(If you'd like an MP3 of the track, drop me a line on AIM at InaGreendase.)

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Editors' Picks

High Tension Wires / The Nice Boys

Brian: Whoa, Brian recommending a punk band?! Mindblowing, I know. High Tension Wires play fast and short in a classically-influenced style, stuck somewhere between the Ramones and the Soviettes, but that's if you like to make lazy, overly general comparisons just to get someone to listen to an MP3. Regardless, this track is taken from the band's recently released Dirtnap disc, Send A Message.

High Tension Wires - Smile And Lie Adam: To give credit where credit is due, the inimitable Pitchfork Media brought this little gem to my attention a few days ago. Of course I had little to no idea what they were saying, but my degree's only a bachelor's so I'm probably at a bit of a disadvantage when it comes to grasping their verbiage. But I digress…

The first single from Portland's the Nice Boys can be streamed online now from the band's MySpace page. The band features Terry Six, surviving member of the Exploding Hearts, and members of the Riffs. Terry plays both guitar and drums on their new 7" as well as providing the vocals (current drummer Alan hadn't joined the band until after recording). "You Won't See Me Anymore" b/w "Lipstick Love" is availible now from Discourage Records. A full length and Californian tour is expected later this year. Here's the A side:

The Nice Boys - You Won't See Me Anymore

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Editors' Picks
Champion

Champion

Aubin: One of the best straight up hardcore bands on the Bridge Nine roster, and arguably one of the finest of that genre playing today. Champion plays the kind of straight forward, positive hardcore pioneered by bands like Gorilla Biscuits and perfected by Kid Dynamite and does it exceptionally well.

The band recently reissued their first two EPs Come Out Swinging and Count Our Numbers as Time Slips Away and these selections come from that record:

Champion - "The Decline" Champion - "Assume the Worst" Champion - "Time Slips Away"

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Editors' Picks

the Pale Pacific / The Demics / Useless ID

Brian: SideCho released the Rules Are Predictable EP, the newest release from the Pale Pacific (formerly the Pale), about a month ago. While this is the first I've heard of the band, their delicate indie pop certainly has its similarities to Death Cab For Cutie, but apparently it's a bit less obvious than the accusations of plagiary plaguing the comments section of the review of their full-length, Gravity Gets Things Done, released under their former name. So had I actually heard the record, I guess I could say things like "they've expanded their sound" and "they seem to be more comfortably fitting into their niche." Here are a few streams from the all-too-short record:
the Pale Pacific - Sucker Punch the Pale Pacific - Identity Theft Adam: It's funny how things fall out of the cultural conversation sometimes. Take the Demics for example. I was pretty much unaware of the band for years until they appeared as part of Jian Ghomeshi's 50 Tracks feature on CBC Radio earlier this year. While it didn't make the final list, the Demics' single "New York City" was an early candidate. It, along with D.O.A.'s 1978 tune "Disco Sucks," were cited during one of Jian's guest appearances on George Stroumboulopoulos' current affairs show The Hour as two of the greatest Canadian punk songs ever. How odd is it then that nearly every friend and colleague I queried knew virtually nothing of the Demics.

The band formed in 1978 in London, Ontario and released a 5 song EP titled Talks Cheap later that year. It included the aforementioned "New York City," the band's only real hit, which later reappeared on their self-titled 1980 full length for the Intercon Records label. After several personnel changes the band's lineup settled with lead vocalist Keith Whittaker, bassist Ian Atkinson, drummer Jimmy Weatherstone and guitarist Steve Koch. Like many bands of that era, the Demics' career was short lived (they split in 1981), but during that time they managed to share the stage with such notables as the Dead Boys and the Ramones.

The Demics - New York City The Demics - The 400 Blows

The Demics' self-titled full length was reissued last year via Linus Entertainment. The whole album is also available online via CHRW's London Music Archive (who I thank for the song links). Demics lead vocalist Keith Whittaker sadly lost a battle with cancer in 1996.

Aubin: I had the opportunity to check out Jericho's Echo last night, and prominently featured in the film was the pride of the Israeli punk scene, Useless ID. The band, which takes its influences from 90s Southern Californian punk, is just one of the remarkable array of bands from the region who manage to maintain a hopeful outlook in a churning sea of distrust and danger. The track selected comes from Bad Story, Happy Ending, and appears in the film as well as taking on a larger meaning then the apolitical lyrics suggest when placed on the backdrop of mandatory military service and the Israeli-Palestinian conflict.
Useless ID - "No Time for Me to Be a Teenager"

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Editors' Picks

John Doe with Neko Case / Bloc Party

Adam: X frontman John Doe released a solo album through Yep Roc Records this past March titled Forever Hasn't Happened Yet. In the album's press he comments "This is not punk rock, but it uses all the same ingredients: sex, drugs, death, loss, longing and alienation." Among the collection of roots oriented tracks is a duet with alt-country darling / New Pornographers' member Neko Case titled "Hwy 5." The song, which was co-written by John's longtime X collaborator Exene Cervenka, can be downloaded below:

John Doe with Neko Case - Hwy 5 (Media Player / MP3 *)

* note you might need to add the ".mp3" extension to the file after download.

Aubin: While the mainstream popularity of a previously ignored subgenre of music often leads to a deluge of inferior, copycat acts, it also has the indirect benefit of bringing attention to truly deserving bands. In this case, the subgenre is the brand of dance punk popularized by Gang of Four and the band in question is South London's Bloc Party. While they certainly take much influence from the aforementioned Gang of Four, the band also handily adds riveting percussion and a satisfying, visceral guitar attack. Their Vice records debut, Silent Alarm is refreshing and punchy with the earnestness of a band that doesn't know or care whether this kind of music is popular right now.

Bloc Party - "Banquet" Stream Silent Alarm

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Editors' Picks

Suicide File

Suicide File was one of the truly underrated gems of recent hardcore. Their stellar full length Twilight foreshadowed future rock'n'roll/hardcore records from the likes of The Bronx and Letters Organize and sadly, they lasted only a scant three years. Indecision recently released their collection of odds and ends titled Some Mistakes You Never Stop Paying For and it is a worthy document of a great band.
Suicide File - "The Somme" (Some Mistakes…)
Suicide File - "Laramie" (Twilight)

I also added a playlist that I made for no particular reason.

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Editors' Picks

Screeching Weasel

In light of the ongoing reissues of much of the back catalog of Screeching Weasel, it seemed apt to select a track from that band. Screeching Weasel had a long history, with dozens of releases and it accompanies that prolific output with an equally high number of breakups and reformations. But in the end, the strength of the band was it's simplicity and allegiance to all the great things about punk rock: simple Ramones-esque melodic punk, whether played slow or breakneck fast, combined with irrepressibly snotty vocals and topped off with alternatingly silly and astute lyrics.

This track comes from the recently remastered Boogadaboogadaboogada.
Screeching Weasel - "Dingbat"

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