Sunday Edition
October 27, 2013

October 27, 2013

Hello everyone and welcome to Navel Gazing: your look back in the week in Punknews. I'm Brittany Strummer and I'll be your guide through some of the juiciest, most popular and otherwise noteworthy stories from the last seven days. Remember, every Punknews story is built from tips from our wonderful, good-looking readers, so get to submitting. Here's what got the strange, slow and old community talking this week:

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Sunday Edition
Tonight We're Going To Give It 35%

Tonight We're Going To Give It 35%

Punknews content is syndicated to a handful of your favorite social networks, including Twitter, Facebook and Tumblr. Join our Last.fm group and contribute your listening habits to our weekly charts. All of our high definition video footage can be found at Vimeo.

Here's your question and answer of the week from the Punknews Formspring:

Q: The Clash or the Pistols?

A: Ah yes, THE timeless punk debate. Perhaps there is no other worthier debate in this existence (except maybe Clash v. Ramones or Misfits v. Black Flag). This one is a tough call.

These days, people love to show how punx they are by dismissing the Sex Pistols, but that is a shortsighted, foolish, and uninformed view. The fact is, The Sex Pistols were so incredible at the time that the entire Western World had not seen the likes of them before. The Stooges had long since been forgotten, The Ramones were regional NY (and probably not as shocking) and then comes along the Pistols. Remember, at the time Fleetwood Mac, Barry Manilow, The Eagles, and Captain and Tenielle were #1 on the chart singing calm music about nothing.

Then, all of a sudden, Johnny Rotten shows up singing about anarchy, abortions, drugs, and truly scaring society. Meanwhile, Steve Jones and Glen Matlock kick out some of the gnarliest, sharpest rifts ever written. A lot of people like to say "The Sex Pistols songs weren't that good." BULLSHIT. The Sex Pistols' tunes were AWESOME, hard, fast, energetic, snappy numbers that blow most of todays "org-core" and other wimpy genres hat are popular out of the water. (Some org-core is good, though).

Pretty much every punk band there is attacks the presidents or comments on politics. Why? THE PISTOLS. With the exception of maybe the Ramones, the Sex Pistols are the most influential punk band ever. Either through attraction or repulsion, Sex Pistols influenced The Clash, Joy Division, The Smiths, Crass, Henry Rollins, GWAR, Slayer, etc etc etc. By virtue of that, every single and that deals with politics or expresses a rejection of society in punknews, razorcake, max rnr- all of those bands can be traced back to the Sex Pistols.

Hell, the Sex Pistols were THE first punk band to attack a political leader directly. You can thank them for that.

To dismiss them just shows how many people in "punk" are scared to really admit where a good deal of their thought has come from. Also, John Lydon is hilarious and just bucks every expectation put before him. Now THAT's punk.

The Sex Pistols are sooooo good. They rule.
By contrast, the Clash weren't as shocking- though they were kind of shocking. Even the Clash were influenced by the Pistols. But, where the Sex Pistols exploded in one big bang, the Clash had longevity and experimentation.

Every single Clash album is way different then the one before it. Where many bands were trying to copy the first Clash album, The Clash had already moved onto the next thing. Reggae dubs? Check. Dance music? Check. Hip Hop? Check. Allen Ginsberg reading weird poetry? Check.

In the 80's when punk was developing a certain sound that tended to define the genre, that in doing so, showed that perhaps punk was not as radical as everyone thought, the Clash moved away from three chord smashers into something weirder, more experimental, and perhaps even more rewarding. Combat Rock is often cited as a pop album, but if you listen to "Red Angel Dragnet", "Atom Tan", and "Straight to Hell", you'll actually find it may be their most challenging release to date.

Plus, usually, the Clash were awesome live. Sometimes the Sex Pistols were great, sometimes not.

But man, when both of those bands were on, they were ON.

Example 1 Example 2

So, it's a tough call for sure, but I have to give it to the Clash by a hair, simply because they have a larger catalogue of fantastic music.

An even tougher question? The entirety of the Joe Strummer discography v. The entirety of the John Lydon discography.

-John G

Of course your day wouldn't be complete without knowing every inane detail of your humble editors' lives. Follow @aubinpaul, @adamwhite, @howtobepunk, @johngentile, @ameliaaacline, @kiraface, @mcflynnthm, @andywritesstuff, @wackymondo, @Brittastrophee and @BrittStrummer's every move at Twitter. A few of the new fathers on staff have even started a punk dad blog.

Where else are you online? Share your links below and keep connected with the Punknews community.

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Sunday Edition
October 20, 2013

October 20, 2013

Hello everyone and welcome to Navel Gazing: your look back in the week in Punknews. I'm Brittany Strummer and I'll be your guide through some of the juiciest, most popular and otherwise noteworthy stories from the last seven days. Remember, every Punknews story is built from tips from our wonderful, good-looking readers, so get to submitting. Here's what got the strange, slow and old community talking this week:

Read more
Sunday Edition
Tonight We're Going To Give It 35%

Tonight We're Going To Give It 35%

Punknews content is syndicated to a handful of your favorite social networks, including Twitter, Facebook and Tumblr. Join our Last.fm group and contribute your listening habits to our weekly charts. All of our high definition video footage can be found at Vimeo.

Here's your question and answer of the week from the Punknews Formspring:

Q: What do you think about teenagers trying to write political songs? (i mean since when does a kid have a clue anyway?)

A: Well, you have to start somewhere. I'm all for it. Basically, the best way to learn anything is to just start doing it (including brains surgery). The political songs of young people might be silly sometimes, but you sort of have to work through that before you can form more complex ideas. There are some artists that start making amazing art right off the bat, but a much greater percentage have to work through the junk first.

Also, in general, younger people have fewer influences simply because they haven't been exposed to as much music. Often, lack of outside influence results in some of the most interesting engaging art.

Every so often, I'm blown away about how articulate some young people are. Jesse Michaels wrote "Knowledge" when he was 17 or 18, and really, that song speaks to fundamental truths.

Ice Cube wrote "Fuck the Police" when he was 18 (or at least his verse and the refrain). Not only did that song express something that hadn't been as directly expressed before, but it's a great song with super clever lyrics.

Ian Mackaye wrote "Straight Edge" when he was about 18. That also gives rise to the interesting point that hundreds of thousands (maybe millions) of people base their life off the words from an 18 year old.

Heck, even though Dog Party isn't strictly a political band, they are making amazing music at 15 and 17.

By contrast, this song was written by a 29-year-old.

So maybe older people have more political knowledge, but I think the effect of age on the skill and profundity of songs is minimal.

-John G

Of course your day wouldn't be complete without knowing every inane detail of your humble editors' lives. Follow @aubinpaul, @adamwhite, @howtobepunk, @johngentile, @ameliaaacline, @kiraface, @mcflynnthm, @andywritesstuff, @wackymondo, @Brittastrophee and @BrittStrummer's every move at Twitter. A few of the new fathers on staff have even started a punk dad blog.

Where else are you online? Share your links below and keep connected with the Punknews community.

Read more
Sunday Edition
October 13, 2013

October 13, 2013

Hello everyone and welcome to Navel Gazing: your look back in the week in Punknews. I'm Brittany Strummer and I'll be your guide through some of the juiciest, most popular and otherwise noteworthy stories from the last seven days. Remember, every Punknews story is built from tips from our wonderful, good-looking readers, so get to submitting. Here's what got the strange, slow and old community talking this week:

Read more
Sunday Edition
Tonight We're Going To Give It 35%

Tonight We're Going To Give It 35%

Punknews content is syndicated to a handful of your favorite social networks, including Twitter, Facebook and Tumblr. Join our Last.fm group and contribute your listening habits to our weekly charts. All of our high definition video footage can be found at Vimeo.

Here's your question and answer of the week from the Punknews Formspring:

Q: Negative hardcore or posi core?

A: If I have to pick between those two, I have to go with negative hardcore. Really, I think that any music that defines itself by having to espouse a particular world view in its music all the time is encumbering itself, to begin with. I say just make the music that moves you at the time and don't worry about making a specific message- the message will make itself.

But, as to posi-core, I hear that stuff and it sounds like brainwashing. If you constantly have to tell yourself that you should be positive no matter what, or that you have to force yourself to think positive, you're actually probably a negative person. When I hear music that describes itself as "posi-core" it doesn't sound like art to me. Rather, it sounds like someone reading pre-written doctrine . That's not very punk to me.

By contrast, negative hardcore might have similar faults, but it sounds more genuine to me. The fact is, sometimes life sucks and sometimes you feel bad. Only by acknowledging that can you actually feel positive later.

For whatever reason, so-called negative hardcore seems to subject to more independent thought than "posi-core" or at least, more artistic or genuine.

-John G

Of course your day wouldn't be complete without knowing every inane detail of your humble editors' lives. Follow @aubinpaul, @adamwhite, @howtobepunk, @johngentile, @ameliaaacline, @kiraface, @mcflynnthm, @andywritesstuff, @wackymondo, @Brittastrophee and @BrittStrummer's every move at Twitter. A few of the new fathers on staff have even started a punk dad blog.

Where else are you online? Share your links below and keep connected with the Punknews community.

Read more
Sunday Edition
October 6, 2013

October 6, 2013

Hello everyone and welcome to Navel Gazing: your look back in the week in Punknews. I'm Brittany Strummer and I'll be your guide through some of the juiciest, most popular and otherwise noteworthy stories from the last seven days. Remember, every Punknews story is built from tips from our wonderful, good-looking readers, so get to submitting. Here's what got the strange, slow and old community talking this week:

With that, we hand over this Sunday evening to the Punknews community, where anything is possible, from the next amusing-then-overwrought meme, to the creation of bands and message boards, to alienating sports chatter. So talk amongst yourselves, spin some tracks in the Navel Gazing turntable.fm room and we'll see you Monday morning.

Read more
Sunday Edition
Tonight We're Going To Give It 35%

Tonight We're Going To Give It 35%

Punknews content is syndicated to a handful of your favorite social networks, including Twitter, Facebook and Tumblr. Join our Last.fm group and contribute your listening habits to our weekly charts. All of our high definition video footage can be found at Vimeo.

Here's your question and answer of the week from the Punknews Formspring:

Q: Do you and the punknews staff play any instruments?

A: Staff writer Greg Simpson is in Outdoor Velour with his wife, which is so cute that it makes me want to puke.

Soundguy Nariman plays the bouzoki in a traditional style and it is a pretty neat thing to see.

Editor Joe Pelone plays drum. He was in 3 or 4 bands. this is one of them.

I am in an avant garde EDM/Electro-clash collective that I am not sure if it is a joke or for serious.

Armando Olivas plays with women's emotions like he's playing the fiddle.

-John G

Of course your day wouldn't be complete without knowing every inane detail of your humble editors' lives. Follow @aubinpaul, @adamwhite, @howtobepunk, @johngentile, @ameliaaacline, @kiraface, @mcflynnthm, @andywritesstuff, @wackymondo, @Brittastrophee and @BrittStrummer's every move at Twitter. A few of the new fathers on staff have even started a punk dad blog.

Where else are you online? Share your links below and keep connected with the Punknews community.

Read more
Sunday Edition
Teen Agers

Radio Free Punknews

Check out the Punknews Music page to stream all sorts of new music from recent or upcoming releases. Our latest additions include:

Also, don't forget to check out the latest release from Greensboro, NC's Totally Slow, the latest release from Chicago, IL's Devon Kay and the Solutions, and the new EP from NYC's Blk Galaga.

We've also expanded our podcast empire to something that will eventually resemble a network. Be sure to check out the original Punknews Podcast (subscribe via RSS or iTunes), Adam's Ontario showcase Some Party (subscribe via RSS or iTunes), and Greg Simpson and Greg Moore's Two Gregs One Podcast.

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Sunday Edition
September 29, 2013

September 29, 2013

Hello everyone and welcome to Navel Gazing: your look back in the week in Punknews. I'm Brittany Strummer and I'll be your guide through some of the juiciest, most popular and otherwise noteworthy stories from the last seven days. Remember, every Punknews story is built from tips from our wonderful, good-looking readers, so get to submitting. Here's what got the strange, slow and old community talking this week:

With that, we hand over this Sunday evening to the Punknews community, where anything is possible, from the next amusing-then-overwrought meme, to the creation of bands and message boards, to alienating sports chatter. So talk amongst yourselves, spin some tracks in the Navel Gazing turntable.fm room and we'll see you Monday morning.

Read more
Sunday Edition
Tonight We're Going To Give It 35%

Tonight We're Going To Give It 35%

Punknews content is syndicated to a handful of your favorite social networks, including Twitter, Facebook and Tumblr. Join our Last.fm group and contribute your listening habits to our weekly charts. All of our high definition video footage can be found at Vimeo.

Here's your question and answer of the week from the Punknews Formspring:

Q: In what way(s) can pornogrind and goregrind be considered art forms?

A: Well, I go by the old George Carlan adage, that I am going to butcher because I don't know how to google: "Anything, if done well, can be funny."

I'm not entirely sure I agree with that statement, but I'm not sure that I disagree with it either. The point is, I think anything that is legal, that if done well, can be art.

So, if an artist truly is trying to make art, the simple act of saying it is art makes it art (as long as the artist is genuine and isn't being snarky, or something like that). But, not all art is good art.

I didn't even know that there was such a thing as "pornogrind" until you mentioned it. Apparently, pornogrind is grindcore music with only sexual themes. I'm going to lose a few punx points here, but all grindcore basically sounds the same to me. A band smashes along for 40 seconds, making a discordant racquet, some guy shrieks, and the song is over.

I feel as though grindcore has potential, but few bands really capitalize on it. Really, I think Napalm Death is one of the few bands to really explore what grindcore is, and they aren't even strictly a grindcore band.

As for porno-grindcore, I suppose grindcore about sexual stuff, could be good art, I just haven't seen it. Maybe, a good way to make pornogrind interesting is to write about sex from an unusual perspective. Perhaps the view of the condom? The view of the disapproving father? The view of the lady that works at the abortion clinic? The view of the porno director that is bored of sex?

I challenge you porno-grindcore bands- push your music to its absolute limits!

Or just listen to 2 Live Crew.

-John G

Of course your day wouldn't be complete without knowing every inane detail of your humble editors' lives. Follow @aubinpaul, @adamwhite, @howtobepunk, @johngentile, @ameliaaacline, @kiraface, @mcflynnthm, @andywritesstuff, @wackymondo, @Brittastrophee and @BrittStrummer's every move at Twitter. A few of the new fathers on staff have even started a punk dad blog.

Where else are you online? Share your links below and keep connected with the Punknews community.

Read more